Problem space. Both artists use spectacle to move rap’s center. But the identity lever differs: whiteness (Eminem) often lubricates mainstream passage in a Black-formed genre, while queerness (Lil Nas X) often thickens frictions around legibility, broadcast standards, and moderation. Eminem’s early 2000s ascent paired shock lyrics with institutional embrace (e.g., the 2001 Grammys duet with … Continue reading 7. Lil Nas X and “Industry Baby”: queer counterpublic & Eminem’s whiteness over market